I was talking today with members of a Colorado-based sprang study group. They had some questions, and I was wanting to refer them to a blog post of mine ... and then I realized that I never posted those pictures, never told that story on my blog. So here it is, the making of that shirt that was on display at HGA's Convergence last summer.
I have been exploring different ways to create a sprang shirt.
The obvious way to create the neckline is to make a slit for a V-neckline.
When I did this, I found that there is stress on the stitch at the bottom of that V, and it does not look nice. Because of this, I have begun to look for other ways to create that neckline.
This pullover began with a false-circular warp to create a large rectangle for the front and back. The loops will sit near the hem of the garment. There is a chain line at the shoulders.
I laid the piece out flat, and traced a circle (basting stitch) with a red thread at the place that I thought should be the hole for the neck. The hole must be as large as the circumference of my head. I then cut across the stitches inside this hole, being careful to leave threads long enough to tie knots. I unravelled the stitches to the place of the red thread, and tied knots.
This gave me a neck opening, with unsightly knots all around. I covered the knots with a collar.
The collar started out as a long flat warp. I chose a 2-2 interlacing stitch for the collar.
For the sleeves, I wanted to try making them narrower at the wrist, wider at the shoulder. To make the cloth wider, you must add threads.
I added a loop of yarn every second row. This gave me two sleeves, that are wider at the shoulder, narrower at the wrist. I cut the sleeves apart, and tied knots. The knots are hidden on the inside of the garment.
The finished pullover was judged worthy of the fashion show at the Handweavers Guild of America conference Convergence in 2018 in Reno, Nevada.
Carol acknowledges that we are on Treaty 1 territory, the traditional gathering place of the Anishinaabe, Cree, Oji-Cree, Dakota and Dene people and the traditional homeland of the Métis people. Carol also acknowledges that sprang is part of many indigenous traditions and found in various forms all over the world. Let us re-discover this technique together.
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