Inspired by that famous shirt, found near the Tonto Ruins in Arizona (check out http://www.statemuseum.arizona.edu/coll/photographic/tonto_shirt.shtml), I’ve created a shawl. The material was ‘sock yarn’ hand dyed by Glenna Dean of Abiquiu Dye Studios. It began as an extra long hang of yarn, eight ft in circumference. I asked Glenna to do a special ‘rainbow dye’, that is, to dye in sections, creating a multicoloured warp.
Here’s the finished shawl. I knotted the ends to form a fringe.
Now I’m working on a proper replica of that Tonto Shirt. I’m collaborating with the Arizona State Museum, who permitted me to photograph details of the shirt, and Louie Garcia, who will hand-spin the required amount of cotton (no small feat).
Not wanting to mis-calculate the yardage required, as well as verifying my pattern-writing skills, I’m presently working on a ‘practice piece’.
Looking at details of the original, I noted that the loops from front and back, where they meet at the shoulder line, are looped around a common thread. This made me think of Peter Collingwood’s ‘false circular warp’ setup. That’s the way I set up this shirt. It means I need a frame that is only half as long.
Now, re-examining photos I have of the front and back, I see that the back was turned over before being attached to the front. I’ll not be able to use this common starting line as the shoulder seam. I’ll have to separate front from back, flip one over, and then attach at the shoulder.
Carol acknowledges that we are on Treaty 1 territory, the traditional gathering place of the Anishinaabe, Cree, Oji-Cree, Dakota and Dene people and the traditional homeland of the Métis people. Carol also acknowledges that sprang is part of many indigenous traditions and found in various forms all over the world. Let us re-discover this technique together.
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