The Art and History museum in Brussels, Belgium, has a lovely collection of sprang items, including a pair of socks. These socks feature sprang ‘uppers’ and a knitted sole. I decided to try my hand at this.
I began with a 3 ft long (75 cm) warp.
I worked these threads for about six inches (15 cm). I then added more warp.
This now, is the complete warp for the ‘upper’ of the sock.
I separated the two sock uppers, cutting along the midline of the warp.
OK, to be honest, when I measured out the second, shorter warp, on a warping board, my first attempt was too long. I realized this as soon as I tried to mount the second warp beside the first. I should have warped directly onto the sprang frame. What to do? I am too lazy to un-wind that warp, and do not want to waste the yarn … so I set that warp aside. Now that the socks are complete, I think I’ll try a pair of fingerless gloves.
I started working at the fingers. I’ll have one hole for the thumb, and another larger one for the rest of the fingers. This means I started out working two separate strips.
Now, making these up into gloves, I decided I needed a small bit to breach the gap between index finger and thumb. So, I set up two tiny warps.
Carol acknowledges that we are on Treaty 1 territory, the traditional gathering place of the Anishinaabe, Cree, Oji-Cree, Dakota and Dene people and the traditional homeland of the Métis people. Carol also acknowledges that sprang is part of many indigenous traditions and found in various forms all over the world. Let us re-discover this technique together.
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