SashWeaver
  • Home
  • About the artist
    • Gallery
  • Store
  • Sprang
  • Fingerweaving
  • Virtual Class Room
  • Contact me
  • Blog

Blog

Lacy patterns: people

1/29/2026

0 Comments

 
The sash that George Washington received from his commanding officer, General Edward Braddock, features several motifs. One of them is a set of ten people. I've gotten to the place where I'm creating that motif, starting at the top of the heads and working down.

The motif is worked in a lace pattern. The people are "filled in" stitches, set apart by an openwork design. For those familiar with sprang lace stitches, the openwork is what I call "doubles grid". One row is worked "pick up 2, put 2 down" and the next row is worked in all plain stitches.

Another sprang expert, Sylva Cekalova, told me about another approach to sprang lace: work the plait row in single stitches all the way across, and then on the overplait row, reach up to un-do the stitches you need to create the holes. In this manner you are more likely to keep the threads properly separated.  Here's a video clip of me working to create the faces, using that approach.
The motifs on the Washington-Braddock sash are indeed impressive. Against a background of other sashes of the time, they are, however, less remarkable. 
Back in 2012 I had the honor of meeting Dutch sprang artist Coby Reijndeers-Baas. She spoke to me of her work restoring sprang sashes, and also about an exhibit of such sashes, the exhibit happening in the 1990s. She gave me the catalogue to that exhibit. The catalogue contains photos of some 47 sashes, most dating to the 1700s.
When COVID hit, and my calendar was erased, and I found myself sitting at my kitchen table, wondering what I would do to fill my time .... I decided to address a project that wanted time. Seeing as how time was what I now had ... I pulled out the catalogue that Coby had given me. I went through the images, examining each of the sashes closely, counting holes, and making charts, written patterns for each.



You can download a copy of that original catalogue from my website. I've received permission to allow you to do so for free, but if you use the book and publish something about this, the Sint-Jorisgild wants a copy for their historical archive.

​Have a look to see designs in other sashes from the same time period. Some of the motifs are geometric. Also included are animals, fish, birds, deer. There are boats and flowers and, yes, people, men and women, soldiers and hunters, mermaids and angels. Have a look for yourself.
Catalogue
Picture
If so inspired, you, too can concoct your own charts ... or download my book of patterns based on this collection.
Dutch Sash Patterns
Picture
0 Comments

What happened in 1709?

1/10/2026

0 Comments

 
Picture
Work on the replica sash continues. I just finished the bit that has the date 1709.

What's the deal? Why that number?
The story goes that the sash was given to George Washington by his commanding officer the British General Edward Braddock. Yes, in his youth, Washington served as advisor to Braddock, and it was Braddock who gave Washington this sash.

The story continues that the sash probably belonged to General Braddock's father ... also named Edward Braddock, and who also served in the British Army. It seems that Edward Braddock Senior received his military commission in 1709, the date on the sash.

​The sash was passed from father to son, and from the son to George Washington.

My story is that it was 2009 when I came to be interested in the sash. I was looking for images to put in my book Sprang Unsprung. I wanted pieces of sprang that would be of interest to North Americans. Hearing that George Washington had such a sash .... there's a photo in the back of Peter Collingwood's book ... I decided to try to get permission to put such a photo in my book. Come to find out, George Washington had more than one sprang sash.
The thing is, when I received the photo from George Washington's Mount Vernon, and saw the date 1709, and reflecting that this was 2009, chills ran up and down my spine. I knew this was something I just had to pursue.
More on the subject of this story later.

0 Comments

Mindful working

1/1/2026

0 Comments

 
One of the stipulations of the people commissioning the sash was that I needed to sign and date the piece. This needs to be done in an indelible manner. The original sash has a space at the centre of plain stitch. That's where I decided to put the signature and date. I wrote my name CJames, and the date 2026 in S-leaning stitches on the Z-leaning background. You can only see this when the light is right.
Picture
Picture


​I am very happy to report that the work is indeed progressing. Slowly. But progressing. What I've learned .... again ... this past week is that I must PAY ATTENTION. Allowing my focus to drift, an occasional mistake happens: I grab the wrong thread, or only one thread of a pair. If I don't catch this before pushing the row to the mirror image side, the result is a horrible snag and tangle. It disrupts the even-ness of the warp, causes all manner of other problems. I then spend time finding the error and fixing the problems caused. 
A far better approach is to PAY ATTENTION, that is, work with mindful intention, and double check at the end of every row.
​
Once I work a row, then I push that work around to the mirror-image side. This is a circular warp that started out at 14 feet long. Small differences in tension on individual threads, small differences of length, not to mention that it's cold outside, and winter heating means static electricity, and that complicates things as well  ... 
​Pushing the work around to the mirror-image side is a challenge, particularly at the start of the project.
0 Comments
    Carol's blog archive

    RSS Feed

    Categories

    All
    Arizona Openwork Shirt
    Art
    Book Reviews
    Books
    Braddock Sash
    Ceinture Fleche
    Clothing
    Demonstration
    Dying
    Easily Transported Work
    Exhibit
    Exploration
    Fashion Show
    Fashion Sow
    Finger Weaving
    Inspiration
    Instruction
    Loom Weaving
    Media
    Military Sash
    Museum Replica
    Museum Visit
    No Frame Sprang
    No-frame Sprang
    Patterns
    Privite Commissinons
    Publications
    Research
    S And Z
    Sash Dance
    Sprang
    Sprang Bonnets
    Sprang Bonnets Of The 1500s
    Sprang Bonnets Of The 16th Century
    Sprang Bonnets Of The Renaissance
    Sprang Clothing
    Sprang Frame
    Sprang History
    Sprang Lace
    Sprang Leggings
    Sprang Patterns
    Sprang Twining
    Student Pieces
    Tablet Weaving
    Tips And Tricks
    Travel
    Weaving
    Website
    Workshops

    Archives

    January 2026
    December 2025
    November 2025
    July 2025
    May 2023
    March 2023
    February 2023
    August 2022
    June 2022
    July 2021
    June 2021
    April 2021
    February 2021
    January 2021
    December 2020
    August 2020
    May 2020
    April 2020
    March 2020
    February 2020
    January 2020
    December 2019
    October 2019
    August 2019
    June 2019
    May 2019
    April 2019
    March 2019
    February 2019
    January 2019
    November 2018
    October 2018
    August 2018
    July 2018
    June 2018
    May 2018
    March 2018
    February 2018
    December 2017
    November 2017
    October 2017
    September 2017
    August 2017
    June 2017
    May 2017
    April 2017
    March 2017
    February 2017
    November 2016
    August 2016
    March 2016
    February 2016
    November 2015
    October 2015
    August 2015
    June 2015
    April 2015
    March 2015
    December 2014
    November 2014
    September 2014
    August 2014
    July 2014
    May 2014
    April 2014
    March 2014
    February 2014
    December 2013
    November 2013
    October 2013
    September 2013
    August 2013
    March 2013
    February 2013
    December 2012
    November 2012
    October 2012
    September 2012
    August 2012
    July 2012
    June 2012
    May 2012
    April 2012
    March 2012
    February 2012
    January 2012
    December 2011
    November 2011
    October 2011
    September 2011
    August 2011
    July 2011
    June 2011
    May 2011
    February 2011
    November 2010
    October 2010
    August 2010
    July 2010
    June 2010
    May 2010
    April 2010
    March 2010
    February 2010
    August 2009
    July 2009
    May 2009
    April 2009
    February 2009
    January 2009
    December 2008
    November 2008
    October 2008
    September 2008
    August 2008
    July 2008
    June 2008
    May 2008
    March 2008

    Categories

    All
    Arizona Openwork Shirt
    Art
    Book Reviews
    Books
    Braddock Sash
    Ceinture Fleche
    Clothing
    Demonstration
    Dying
    Easily Transported Work
    Exhibit
    Exploration
    Fashion Show
    Fashion Sow
    Finger Weaving
    Inspiration
    Instruction
    Loom Weaving
    Media
    Military Sash
    Museum Replica
    Museum Visit
    No Frame Sprang
    No-frame Sprang
    Patterns
    Privite Commissinons
    Publications
    Research
    S And Z
    Sash Dance
    Sprang
    Sprang Bonnets
    Sprang Bonnets Of The 1500s
    Sprang Bonnets Of The 16th Century
    Sprang Bonnets Of The Renaissance
    Sprang Clothing
    Sprang Frame
    Sprang History
    Sprang Lace
    Sprang Leggings
    Sprang Patterns
    Sprang Twining
    Student Pieces
    Tablet Weaving
    Tips And Tricks
    Travel
    Weaving
    Website
    Workshops

Contact Carol

Store

FAQ

Privacy policy
Carol acknowledges that we are on Treaty 1 territory, the traditional gathering place of the Anishinaabe, Cree, Oji-Cree, Dakota and Dene people and the traditional homeland of the Métis people. Carol also acknowledges that sprang is part of many  indigenous traditions  and found in various forms all over the world. Let us re-discover this technique together.
© COPYRIGHT 2022. ALL RIGHTS RESERVED.
  • Home
  • About the artist
    • Gallery
  • Store
  • Sprang
  • Fingerweaving
  • Virtual Class Room
  • Contact me
  • Blog