While in Vancouver earlier this year, I stopped in at Maiwa on Granville Island. I will be teaching a sprang class there next year. I wanted to have a look at their yarns, to evaluate their use for my students. I saw some lovely linen yarn.
I decided to try to make yet another sprang shirt, using this linen yarn. OK, I purchased seven skeins.
Wanting to use some of those colorful motifs from Coptic bonnets, I set up a multicolored warp.
This piece will be the center back of the shirt.
Now for two pieces to go on either side of the center back. These pieces will go over the shoulder, starting and ending at the hem of the shirt.
Now for the front of the shirt. I decided to use the lighter green as the background for the front of the shirt. The first time I sewed the front into the shirt, there was a clear difference in tension (rows per inch) between the lower part of the front, and the side pieces. I re-sewed it a couple of times before getting it right.
Now for two narrow pieces to go under the arms.
And lastly, sleeves. I shaped the sleeves as I went along.
I chained around the hem, to give a firmer edge to the shirt.
I finished assembling the shirt, and washed it.
Look for me this summer, sporting my new sprang shirt.
And here's a better image of that shawl I made last month, demonstrating perhaps some of the drape and flexibility of the fabric
Photo by Chris Black
I visited the Kelsey Museum collection in the spring of 2016, went home and worked out the pattern for this hat, and then came back in the summer of 2017. At the occasion of my second visit, I took a photo of my replica beside the original. Actually I took two photos. In one of them, my replica is inside-out.
If anyone is interested, my SprangLady website contains three tutorials that take you step-by-step, showing you how to do this twining technique on a background of interlinking. And I do still have the specific pattern for this bonnet.
I set out to make a new sprang top. In the past I'd say the choices are a V-neck, a boat-neck, or you cut out a hole for the neck. Last spring I made a shirt comprised of ten separate pieces of sprang. I was using 'estate yarn' (yarn of an unknown age and unknown fibre content).
While I like the shirt, some of the threads are shattering ... the shirt is not standing up to wear. So I need another one. I purchased new yarn, nine skeins of Berroco Mixer, and made up nine pieces for this new shirt.
Although it might seem overwhelming to set out to make nine pieces, it's no worse than knitting a sweater. I made a center-front piece and a center-back piece. These pieces start at neckline and hem, and work to a place somewhere near the waist. There are two pieces that go over the shoulder, working from hem to hem, and meeting at the shoulder. I also made two pieces, one to go under each armpit ... worked from armpit and hem towards the waist. These pieces were all flat warp.
There are three circular warp pieces, two sleeves and a collar.
Assembled together, they make a shirt.
The basic stitch is a 2-2 twill, it has a comfortable amount of stretch. The Berroco is a mix of cotton, polyester, viscose and nylon, so I'm hoping it will stand up to washing and wearing.
No need to hem this material. The pieces have selvedges all around.
Last Summer I made a scaled down copy of the Braddock-Washington sash for Carlyle House. The word is that the display is now complete, and viewable to the public. Here is the photo they sent me, the mannequin wearing the general's uniform .... complete with sash.
En route to the British Museum, I stopped off to visit a friend who lives near Sheffield. I met Andy and Elaine a few years back. Elaine really wanted to know more about sprang. They were, at that time preparing to participate in an event, re-doing the battle of Marathon in Greece ... he was going to be one of the bad guys. I made him a pair of leggings, appropriate to the time period, and based on research by Dagmar Drinkler.
It seems that Andy has worn these leggings to several events. Imagine my surprise when I read on the internet that sprang is not at all suitable for leggings! Andy showed me a post indicating that, with one broken thread, the pants will fall apart. This, I thought, is the perfect moment for a bit of testing, some experimental archaeological if you will.
Andy allowed me to cut a thread in his leggings. To make it a fair test, I cut a thread at the knee, a place that would be affected by movement of the leg.
Andy took a picture of me cutting the thread just in front of his left knee.
Here you see the broken thread at the left knee.
Andy then went outside to do some work in the yard.
He cleared his deck of the leaves, and tended to his leaf-blowing machine.
His leggings stayed on the entire time ... no falling apart ... no falling off. Indeed no increase in the size of the hole. The wool threads stayed put.
Wool has a certain 'grabbiness' to it's surface, and the wool sock-yarn that I had used to make the leggings is no exception.
Yes, I've seen silk sashes in museum collections with long vertical slits, where a thread broke. The slipperiness of silk as well as the simple interlinking structure would allow a slit to develop ... but the slit will only open up so far. At some point the length of the cut threads will, itself, prevent further un-doing. The structure of the zig-zag pattern in these leggings also helps prevent un-doing.
I repaired the damage I had caused, tied a knot to mend the cut ends, and tucked the knot to the inside of the leggings.
The damage is now repaired, the knot almost imperceptible.
A big Thank You to Andy Cropper for permitting me to carry out this test.
I attended the 2017 CIETA conference, held at The Hermitage.
Very interesting discussions of textiles as symbols of power. The Hermitage treated us to a special exhibit of their collections ... including a display featuring garments worn by Peter the Great. His military uniform included a sprang sash.
The curator told me that the sash originally was tricolore: red, white, and blue. The fiber is silk with silver threads worked in. You can tell it is sprang, because one side features an S twist to the stitches, the other side features Z twist. There is a line at the shoulder where the S and Z meet.
The idea of sprang mittens has come up ... twice within the last week. A researcher colleague of mine found a pair of sprang mittens at a textile market in Bavaria. The seller had no provenance, but they look like sprang mittens in the collection of the Brussels History Museum, that date to the early 1800s.
And then and e-mail from someone who took my sprang class earlier this year, Jenny from Regina. She sent me photos of her explorations since that class, including a photo of a lovely sprang mitten.
Mittens are a great place to explore sprang. Make two rectangles, cut them apart, tying knots at the cut ends. Sew each piece into a tube, and voila, two fingerless gloves, aka, mittens. Use the opportunity to explore patterns.
I’ve been wanting to make a sprang shirt or sweater for my husband. He says that wool is always too hot. So I found some linen yarn, and made a vest recently.
I set up a ‘false circular warp’ to make the work easier. I worked from hem towards the shoulders. Here is the front and back on the frame, the sprangwork done, a knitting needle in the meeting place at the shoulder.
When the two sides met, I chained from selvedge towards the middle, starting at the right side, working towards the place of the neck hole, and then starting from the left side and working to the place where I will put the neck hole. I then cut the threads across the center line, just to the front of where the chain line should be. I took photos as I formed the neck opening, cutting threads and tying knots.
To cover up the knots, I knitted a length of i-cord covering the knots and encircling the neck hole, giving it a nice finished look. Measurements now indicated that the width was insufficient for the intended waistline … I expected that, and made side panels. This started out as a warp that was a bit shorter than the front-and-back. I made the side panels both at the same time, cut them apart, as I tied knots.
Now for the sleeves … made two-at-the-same-time.
But before assembling, I added ribbing to the cuffs and at the waistline.
And then the final assembly to make a lovely sweater for him.
There was this skein of yarn that I purchased a while back from Redfish, a rainbow dyed tencel. I’ve been meaning to work it up into something. Last month at the Regina Shindig, I was inspired by Terri Bibby, and her Saori techniques. She demonstrated an origami approach to garment design. With this in mind, I set up that rainbow dyed skein on a circular warp, and created a circular piece.
Once the sprang was finished, I chained across the place where the two sides met. Here is my schema, how I transformed the circular warp piece into a shrug.
I folded the circular warp piece, trying to align the color scheme. To make the color scheme work out best, the chain line does not exactly line up with the starting rows. I sewed up part of one side, leaving open places for the arms, and it became a shrug.