Since I've got time on my hands, all travel plans cancelled, I figured I should put my efforts to a project worthy of a great deal of time ... all those lace patterns. I've seen sprang lace in a number of collections, have photographed them, and have made some samples. Now is the time to sit myself down and to go through these, one by one, and render patterns that will be read-able to others.
The inspiration for these patterns come from several sources. There's that book of sprang sashes, repaired by Coby Reijndeers-Baas, sashes with all manner of designs, people, boats, deer, mermaids, and a variety of geometric designs. Then there is that collection of lace from the Cinquantenaire Museum in Brussels that I visited back in 2013. Other lace patterns come from pieces in the British Museum, the Victoria and Albert Museum, the Petri Museum, and assorted other collections.
I'm working on putting the patterns onto a grid, so you'll have a grid pattern. From that grid, I'm deriving a "written pattern" that will read "right-edge stitch, 3 plain stitches, left-edge stitch". Having done that, I then set up a warp and make an actual sample, to check my pattern, and to be reasonably sure that the pattern is correct.
I'd be very happy to have others check these patterns. If you're interested, send me a message by commenting on this blog, or to the "contact me" on this website.
For those of you in Western Canada, or NorthWest USA, the Maiwa School of Textiles will host two sprang classes, the first runs April 15-16 focusing on an introduction to sprang ... no experience necessary. Immediately following that there is an intermediate sprang class scheduled for April 17 - 19. The intermediate sprang class will examine topics such as twining patterns, circular warp, lace, and more. For more information visit the Maiwa School of Textiles Website
I understand that there are still a few spots available.
I visited the Kelsey Museum collection in the spring of 2016, went home and worked out the pattern for this hat, and then came back in the summer of 2017. At the occasion of my second visit, I took a photo of my replica beside the original. Actually I took two photos. In one of them, my replica is inside-out.
If anyone is interested, my SprangLady website contains three tutorials that take you step-by-step, showing you how to do this twining technique on a background of interlinking. And I do still have the specific pattern for this bonnet.
Since returning from my travels, I've been busy writing patterns, and making samples. I sent pieces to the Hermitage and to the British Museum, giving them pieces for others to handle.
Here is a photo of a piece in the British Museum collection, and the matching pattern I've been working on. I'll be teaching sprang at the Lace Museum in Sunnyvale, Calif, in February 2018. Once people get past the basics, I'll be happy to share these and other patterns. Anyone interested in this class should contact Kim at the Lace Museum, by emailing kim at wire lace dot net, or calling 510 565 0994.
Over two years ago the weaving guild in Grand Forks BC invited me to teach them sprang and fingerweaving. At last the date has arrived.
Flying in an airplane from Winnipeg to Grand Forks, BC, took me right over the Canadian Rockies. I love looking out the window of an airplane.
Grand Forks is surrounded by mountains. It snowed most every day I was there. It looked like Christmas.
Three days of class. Fingerweaving the first day, then two days of sprang. The students were keen and eager, completed a number of projects, exploring these braiding techniques.
Thank you to Sue for organizing this, and to all who contributed to the lovely lunches, the setup and takedown.
I taught a class in sprang at the invitation of Odile Boone, of La Boone Ferme. Odile raises angora rabbits. She sells the fibers, and also sells finished products such as sweaters and gloves. Always looking for something new, she thought she'd try sprang.
Odile gathered some friends, and we held a class.
We made cellphone bags, to explore the basic stitch, then dabbled in making holes on purpose (lace patterns) cables and more.
Getting ready for another round of teaching, I'm preparing warps. I special-dye them, to ease the learning process. My daughter hosted the dying. We used the leftover dyestuff to color some knitting yarn. It was perfect weather to hang the skeins to dry.
My daughter has helped me make a new website. In honor of what people have been calling me lately, "the sprang lady" the website has a new name as "sashweaver and spranglady".
The Saskatchewan Handweavers held a Shindig, and invited me to come, to teach sprang, and to give the Saturday evening keynote address. The drive across the prairies was a stark contrast to the sights of earlier in the year, the giant redwoods of California, and the Rockies in Colorado.
The Saskatchewan handweavers asked me to teach a sprang class, and to give the Saturday evening Keynote address.
Participants in my class were eager to learn. The organizing committee hired photographer Sparkling Medusa Creative Services, Angela Reddekopp to take photos.
And later the next week, Jenny sent me photos of projects completed in the days following the class.
Back to the folks in California. Janet recently posted a photo of a sprang vest she made, using her handspun cotton. Well done Janet!!!!
Here I am, on a 3-city teaching tour of Colorado. Spring weather is living up to it’s reputation, sunshine, rain, snow, sleet, and then sun again.
I am teaching classes in Montrose, Boulder, and Colorado Springs.
Everyone works on her own frame, creating several sample pieces. In the introductory class, we explore the basic interlinking stitch, and then some variations. You learn the basic stitch, some finishing techniques, and then how to start from ‘scratch’.
My hostesses to date have been lovely. Many thanks to Bobbie, Mary, Janet, Sue, and Cheryl. I’ve been treated to a tour of Black Canyon of the Gunnison Park, and a drive through the Rockies, from Montrose to Boulder. Looking forward to a tour of the Schacht Loom factory.
In-between teaching, I’ve kept myself busy working on some Coptic designs, working out the pattern, and then testing them by making sample pieces.